Hugo Ball, Cabaret Voltaire, 1916
Recommended Websites:
International Dada ArchiveContemporary Dada on YouTube
Dada
animation: Cortometraje (Nunez)
Can't
Play Won't Play- Dada Manifesto
Animation
of Schwitters' Ursonata
Contemporary Parallels to Dada Techniques
One Man's Spam is Another's Art (Cnet)
Graduate Readings:
Dorothea Dietrich, "Love as Commodity: Kurt Schwitters's Collages of Women," in Women in Dada: Essays on Sex, Gender, and Identity, Naomi Sawelson-Gorse, Ed. (Cambridge: MIT Press), 1998, pp. 206-239. Does Dietrich support her assumption that Schwitter's work is an example of conflicting political, social, and cultural trends and that Schwitter's avowed break wit tradition was only superficial?
Maud Lavin, "Hannan Höch's From An
Ethnographic
Museum," in Women in Dada: Essays on Sex, Gender, and Identity,
Naomi Sawelson-Gorse, Ed. (Cambridge: MIT Press, 1998), pp.
330-359.
Do you agree with Manuela Hoelterhoff that Höch's post-Dada work
lack
the political intensity of that made during the Dada period, or agree
with
Lavin that her "From an Ethnographic Museum" reflects a "sophisticated
critical language of social commentary concerning the typology and
conditions
of the modern woman"?