dAda


Hugo Ball, Cabaret Voltaire, 1916


Terms

Recommended Websites:

International Dada Archive
Da Da Online
Dada at the National Gallery
Artcylopedia: Dada
Art of the First World War
The ABC's of Dada (1 of 3 - YouTube)
The ABC's of Dada (2 of 3 - YouTube)
The ABC's of Dada (3 of 3 - YouTube)
Hugo Ball's Gadji beri bimba
Hannah Höch:  About.com
Hannah Höch:  Gallery of Photomontages
Kurt Schwitters:  Wikipedia
Kurt Schwitters:  Encyclopedia
Kurt Schwitters' Anna Blume (art book on-line - German)
Anna Blume (commentary and translation)
Kurt Schwitters: Artchive
Kurt Schwitters: Sprengel Museum in Hannover
Reconstruction of Schwitters' Merzbau (YouTube)
Montage of Schwitters' Sound Clips
Cut and Paste:  A History of Photomontage
George Grosz:  Wikipedia
George Grosz:  Graphic Witness
George Grosz:  Artcyclopedia

Contemporary Dada on YouTube

Dada animation:  Cortometraje (Nunez)
Can't Play Won't Play- Dada Manifesto
Animation of Schwitters' Ursonata

Contemporary Parallels to Dada Techniques

Alex Dragulescu (Spam Art)

One Man's Spam is Another's Art (Cnet)

San Base: Dyanmic Painting

Spoetry

Selected Library Resources

Graduate Readings:

Dorothea Dietrich, "Love as Commodity:  Kurt Schwitters's Collages of Women," in Women in Dada:  Essays on Sex, Gender, and Identity, Naomi Sawelson-Gorse, Ed. (Cambridge: MIT Press), 1998, pp. 206-239.  Does Dietrich support her assumption that Schwitter's work is an example of conflicting political, social, and cultural trends and that Schwitter's avowed break wit tradition was only superficial?

Maud Lavin, "Hannan Höch's From An Ethnographic Museum," in Women in Dada:  Essays on Sex, Gender, and Identity, Naomi Sawelson-Gorse, Ed. (Cambridge:  MIT Press, 1998), pp. 330-359.   Do you agree with Manuela Hoelterhoff that Höch's post-Dada work lack the political intensity of that made during the Dada period, or agree with Lavin that her "From an Ethnographic Museum" reflects a "sophisticated critical language of social commentary concerning the typology and conditions of the modern woman"?